
Michael Clark by Michael Bracewell and Suzanne Cotter
Violette Editions 7th June, 2010
Notorious for his continually subversive takes on classical dance, Michael Clark is without doubt one of the most important dancers and choreographers of our time. He has created some of contemporary dances finest productions, often using leftfield rock music (most famously in his fantastic collaboration with The Fall, I Am Kurious, Oranj). Situated at the heart of the British post-punk art scene, Clark is much admired for his judicious choice of collaborators, such as designers Bodymap and Hussein Chalayan, artists Cerith Wyn Evans, Leigh Bowery, Charles Atlas and Sarah Lucas, film director Peter Greenaway (Clark played Caliban in Prosperos Books) and bands The Fall, Laibach and Wire. This monograph, the first on this major artist, celebrates the whole of Michael Clark's career to date, from the late 1970s to the present. Rich in visual and archival material, it contains new essays on Clark's work, reprints of key texts and journalism, photography by Nick Knight, David LaChappelle and others, plus interviews with many of Clark's collaborators from the worlds of dance, art, fashion and music. A protege of Richard Alston and Karol Armitage, Michael Clark set up his own dance company in 1984, at the age of 22. He immediately won the admiration of Rudolf Nureyev, who commissioned ballets from Clark for the repertoire at the Paris Opera. Clark has also been the subject of numerous films and documentaries, including the fictional biography Hail the New Puritans by Charles Atlas and The Late Michael Clark, directed by Sophie Fiennes. Michael Clark's new ballet opens in June at the Biennale in Venice, and travels to Edinburgh, Stockholm, Paris and, in late October, to the Barbican in London.
Michael Clark in collaboration with Leigh Bowery
Now playing: Nick Cave & The Bad Seeds - More News From Nowhere
Monday, 17 May 2010
Long overdue
Thursday, 6 May 2010
Once lost, now found

Pink Flowers, Water Colors, (Jay Garvin) by James Bidgood
Necessity was the mother of invention for Bidgood, who created elaborate photographic tableaux in his small midtown Manhattan studio apartment. His first erotic series was an underwater epic called Water Colors, made in the early 1960s, in which he used a dancer from Club 82 named Jay Garvin as his subject. The underwater atmosphere is completely fabricated; the bottom of the ocean was created with silver lame spread across the floor of Bidgood's apartment; he made the arch of a cave out of waxed paper, and fashioned red lame into the shape of a lobster. He coated Garvin with mineral oil and pasted glitter and sequins to his skin so the silver fabric under photographic lights would reflect on his body like water. For weeks at a time, Bigood would eat and sleep within the sets he constructed in his apartment. - Off to Camp: The Photographs of James Bidgood, Aperture

James Bidgood by Bruce Benderson
James Bidgood is represented by CLAMPART
Now playing: Etta James - At Last
Friday, 26 March 2010
Something for the weekend

Chumlum, 1963-64 by Ron Rice
© Light Cone
Invocations and Evocations: Queer and Surreal
Friday 26 March – Monday 29 March 2010
Featuring the first public screening of Derek Jarman’s long lost and recently rediscovered first film, Electric Fairy (1971), this special series at Tate Modern will provide a form of invocation where the tangled threads of surrealism and queer experimental cinema, exemplified by Jarman, Kenneth Anger, Joseph Cornell, George Kuchar, Marie Menken and many others, will be reflected from the projector’s blinding beam.
Surrealism began as a brotherhood experimenting with trance states, games of chance and research into the world of the marvellous. One of their games was the act of invocation – calling forth forgotten or buried figures: famous or notorious. Although the surrealists’ social politics initially included a virulent strain of homophobia, the thread woven by André Breton and his peers can be followed into the labyrinth of queer practice throughout the twentieth century and beyond.
Curated by James Boaden, Stuart Comer, Ed Halter, Jonathan Katz and Juan A. Suárez.
Two of the films included in the programme available on DVD:
Avery Danziger's Edward James: Builder of Dreams (1995) 

James Bidgood's (a fact not widely known until the mid-90s) cult classic Pink Narcissus (1971)
Marvellous.
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Sunday, 7 March 2010
Something for the weekend

Neil Jordan's Breakfast on Pluto comes tearing out of the gate like a pink poodle on speed. Rattling through chapters from Patrick McCabe's novel - all 36 of them, individually captioned - it relates the picaresque adventures of a young Irish transvestite called Kitten (Cillian Murphy), taking us from his rural Irish childhood, dumped on the doorstep of the parish priest (Liam Neeson), to his quest for his mother (Eva Birthistle) between bombings and cabaret shows in glam 1970s London. - Tim Robey
I love talking about nothing. It is the only thing I know anything about. - Oscar Wilde
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Saturday, 13 February 2010
Le Nouvel An Chinois


Mussels in Black Bean Sauce
Chinese Broccoli with Oyster Sauce
Both served with steamed rice. Everything else, from the duck (which symbolises fidelity) to the Char siu, is ordered from a restaurant.
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Labels: culture, events and gatherings, house
Wednesday, 10 February 2010
Manfred, lord of the castle
The whole secret of life is to be interested in one thing profoundly and in a thousand things well. So said Horace Walpole, the 18th century English art historian, author, politician and, not least of all, arbiter of taste. Today he is most remembered for his Gothic revival villa, Strawberry Hill.
Strawberry Hill
The Long Gallery
Strawberry Hill
By Anna Chalcraft and Judith Viscardi
Walpole also said, Nine-tenths of the people were created so you would want to be with the other tenth.
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Labels: books, culture, friend in my head, house
Tuesday, 19 January 2010
One congratulates the groom...

and wishes the bride good luck. The bride in this instance is Emily Evans Eerdmans. And my gift to the couple would be a pair of Black-necked Swans.
Saint-Saens - Le Cygne
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Labels: baroque worries, culture, gardens
Thursday, 14 January 2010
Sounds like...

Splendour and Squalor: The Decline and Fall of Three Aristocratic Dynasties
From stunning stately homes to the prisons of wartime Britain; from the House of Lords to Edwardian asylums; from the Ritz and the Dorchester to East End pubs, "Splendour and Squalor" tells the stories of four of Britain's most illustrious aristocratic dynasties and of the black sheep who brought them down. They kept monkeys in West End hotels, and rent-boys in Deauville and Kensington. They spiced up life in pre-war Britain by patronizing illegal gaming clubs and staging elaborate five-in-a-bed sex in stately homes. They used firearms with convincing disregard for their own and others' safety and drove their Rollses and Bentleys with apparently suicidal intent. They acquired yachts and helicopters as they shipped the family silver to California and disposed of Old Masters at auction. They married frequently and unsatisfactorily, humiliating their wives and always withholding from them dynastic secrets of schizophrenia and insanity. Lacking the energy and appetite to do so, they rarely developed their talents. Carpeting their lives with deceit, they sought consolation in ferocious expenditure, funding narcotic and alcohol-fueled blow-outs. They ignored the advice of sane relations, shrugged off trustees, and experimented with burglary, shop-lifting, vagrancy and fraud. Their primary, possibly sole, accomplishment was to drag down their families with them. They were the black sheep of aristocracy and this is their story.
my kind of people.
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Wednesday, 13 January 2010
American master

Heat Waves in a Swamp: The Paintings of Charles Burchfield
The work of Charles Burchfield is most decidedly founded, not on art, but on life, and the life that he knows and loves best. - Edward Hopper
An April Mood
1946-1955
Glory of Spring (Radiant Spring)
1950
Sun and Rocks
1918-50
The Insect Chorus
1917
Two Ravines
1934-1943
Curator Robert Gober discusses Hammer exhibition Heat Waves in a Swamp: The Paintings of Charles Burchfield
Run Time: 9 min. 44 sec.
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Thursday, 17 December 2009
Monday, 19 October 2009
The curious made extraordinary
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All Visual Arts presents The Age of the Marvellous
Inspired by the Wunderkammer, or Cabinet of Curiosities, popular in the late Renaissance through the Baroque period (ca. 1550–ca. 1700). An era characterized by a revival of learning, the sum of all of man’s knowledge could be represented in rooms filled with natural wonders, artificial exotica and relics or art works concerned with the supernatural.
The Wunderkammer‘s particular ability to evoke the marvellous, to incite the emotions of awe, wonder, surprise and astonishment leading to curiosity and then learning was based on its ability to draw parallels and unify seemingly unrelated fields of human knowledge like Science and Art. The brilliant evolutionary biologist E.O. Wilson considered the unification of knowledge – or what he labeled ‘Consilience’ in his eponymous book published in 1998 - nothing short of imperative for the survival of the human species.
Adam Fuss’s photograms
Alastair Mackie's Metamorphoses
Polly Morgan's At the Beginning, inspired by a Victorian proposal for a flying machine. 
Kate MccGwire's sculptural works made from crow and jackdaw feathers.
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Labels: art, artists, books, contemporary, culture, ideas, natural history
Looking forward to...
seeing, 
Precious
and reading,
Mia Mask's Divas on Screen - Black Women in American Film
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Thursday, 15 October 2009
Fash. Ed. Supreme.
That was how Joanna Lumley's fashion editor character, Patsy Stone, in Absolutely Fabulous described her idol Grace Coddington.
Vogue's Grace Coddington
More from Style.com
With the release of The September Issue Coddington finds a new audience and confirms what those of a certain age already knew - she is genius.
Her 2002 opus Grace: Thirty Years of Fashion at Vogue
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Wednesday, 14 October 2009
Random bits of fabulous
Taken from the November issue of The World of Interiors.
The courtyard of Cranbrook's Saarinen House photographed by Richard Powers.
A covered patio in Tangier photographed by Roland Beaufre.
Recently, I read somewhere (and it wasn't over the rainbow) that there are people who actually believe that designers create a WOI look just to be published in those hallowed pages.
Mind boggling.
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Now playing: Toni Childs - Blind
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Tuesday, 13 October 2009
Larger than life


The maquette for the eventual bronze statue to honour the legend that was Nina Simone. It only seems fitting that it be, like the lady herself, larger than life. The Eunice Waymon-Nina Simone Memorial Project has commissioned the Philadelphia based sculptor Zenos Frudakis to execute the work.
Participation in The Eunice Waymon—Nina Simone Memorial Project supports the recognition of an international musical legend and an icon of human potential realized.
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Now playing: Nina Simone - Little Girl Blue
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Monday, 12 October 2009
Tryon, North Carolina
If known for nothing else, it should be known for being the birthplace of one Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003). Who was better known as Nina Simone. 


Screen shots from the documentary Nina Simone: The Legend; the last being of the house she grew up in.
Nina Simone performing Four Women at the Antibes Jazz Festival, 1965.
Wednesday, 7 October 2009
Saturday, 26 September 2009
Something for the weekend

Mission: Impossible
Seasons one through three. Why? Those were the seasons that Barbara Bain appeared as top model and actress Cinnamon Carter. So flawlessly chic in that knowing way. 

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Now playing: Richard Kiley - Little Bird, Little Bird
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Tuesday, 22 September 2009
Clam diggers



Linguine with clams in a cream sauce, served with sauteed samphire.
Arrange linguine in the centre of the plate, place open clams around the outside interspersing with the samphire. 


Zoffany's Samphire
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Labels: culture
Sunday, 20 September 2009
Through the keyhole



Who lives in a house like this?
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